When I was younger, my feet would hurt a lot, but you build up calluses and strength, and you don't feel as much pain there. But then again, it's a give and take. The older you get, you may feel pain in your back or your hips.

I had always been proud of my body - its strength and grace enabled me to pursue my passions.

Ballet found me, I guess you could say. I was discovered by a teacher in middle school. I always danced my whole life. I never had any training, never was exposed to seeing dance, but I always had something inside of me. I would love to choreograph and dance around.

Whenever there was chaos in my house, whether it was arguing, being in a cramped space with all of us kids and screaming, I found an empty space where I could just put music on and move.

Most of us remember Nat King Cole as a vocalist. His warm, grainy baritone is still so closely identified with such familiar ballads as 'Stardust' and 'The Christmas Song' that it's hard to imagine anyone else performing them.

In 2004, the iPod was a novelty, and tablet computers were a dream. Now we take for granted that we can see whatever we want whenever and wherever we want to see it, be it 'Grand Illusion' or 'Duck Dynasty.'

I am, as it happens, a baby boomer, but not one who feels any broad-gauge nostalgia for the '60s and '70s. My attitude resembles that of my parents, who were born in the '20s and lived through the Great Depression and World War II.

Just as most of us prefer to watch a trapeze artist work without a net, we like to be absolutely sure that a virtuoso is giving us our money's worth, and a seemingly effortless performance, no matter how spectacular it may be, deprives us of that slightly sadistic thrill.

If I have affected someone in a positive way, that means a lot to me.

Success is never final, but failure can be.

The fans, with all due respect, they don't affect the decisions I would make as a coach.

If you have fun, fine. It's not all life and death.

God's been good to me, He really has. I don't know why he picked me out... Just think about it: I virtually coached in my hometown. From the middle of the Meadowlands field, it can't be but a couple of miles. I was lucky to do that.

So if the players trust the coach, it's not a problem. If the players don't trust the coach, it is a problem, and vice versa.

Something goes wrong, I yell at them -'Fix it'- whether it's their fault or not. You can only really yell at the players you trust.

If the players don't trust the coach, it is a problem, and vice versa.

Well, I've had a long standing relationship with Gatorade and they've been very, very good to me. And I believe in their products, I really do. I've used them for many, many years.

I've had a long standing relationship with Gatorade, and they've been very, very good to me. And I believe in their products; I really do.

You as an individual coach have a responsibility to try to give those players who put themselves at risk and in harm's way a chance to achieve success, and that goes for universities and professional teams, as well.

I don't necessarily like anniversaries that much.

I remember, for my fifth birthday, Chet Baker sat me on the upright piano, and he played just for me for a few minutes. I can still remember the pressure of the air on my chest. It was my first physical contact with sound.

My first synthesizer was the VCS3. I got it in Bristol in the late Sixties, long before Pink Floyd used them. I had to sell an acoustic guitar and an old reel-to-reel tape recorder to raise the money. You can do fantastic things with modern computers, but you cannot use them in the same intuitive, spontaneous way you can a VCS3.

I think that in any language when you have a real relationship, and there is love and respect between people, infidelity is always something difficult to accept - whether you are Chinese, British, French. I think that is a universal concept... or problem.

Back in the Seventies, we had a romantic, poetic vision of the future, like it was in the movie '2001: A Space Odyssey.' It felt as if everything was still ahead of us.

In my opinion, British women are more romantic than French ones.

Generation after generation, there is this never-ending, contemptuous, condescending attitude to the next generation or the next way of thinking: music, art, politics, whatever. And I have never been like that.

Suddenly, we are putting ourselves as the next dinosaurs. It's rather dark; we have narrowed our dreams. It is time to restore our visions. And so it's not a nostalgic idea; it is based with this unconscious need to restore a kind of dynamic for tomorrow.

We have lost our vision for the future. Before, we say, 'Nothing will be the same. Cars will fly, and we go to the end of the universe.' We have this kind of naive but exciting idea of the future. Now, the vision has been reduced to ways to select our garbage and how to survive global warming.

Technology does not always rhyme with perfection and reliability. Far from it in reality!

For me, every single thing I do seems to be about the process of letting go because that's what I so desperately need to do with so many things: with fear, with what people think of me, and all these things I've worried about my whole life.

I loved the whole New Romantic, New Wave thing... New Order, Soft Cell, Depeche Mode, Gary Numan, Blancmange, Yazoo.

Reykjavik has a mixture of southern and northern mentality. There's a laid-back, relaxed attitude but also the feeling things are going to get done.

I love a lot of different styles, but my heart belongs in electronic music.

I suppose my ideal brain food is learning languages.

There's a lot of anger in 'Queen of Denmark,' and that's me getting political.

I think the humor, when applied in the right amount, only serves to intensify the other emotions in a given song; it highlights them, makes them stand out.

The jokes are great but what really matters for a comedian is his performance, his whole attitude, and the laughs that he gets between the jokes rather than on top of the jokes.

There were a few teachers who just did not like me because of my face. Once, I was told to stand in the corner until I cheered up. The attitude was, 'Oh, for God's sake, what's the matter with him?' But it's just a natural expression.

I'm just part of a tradition of people who aren't pleased. I would never think anyone else who has the same attitude was getting it from me. I'd just think they're... sensible.

I tend not to trust people who live in very tidy houses. I know that on the surface there is nothing wrong with a person being well-ordered and disciplined. Nothing, except that it leaves the impression of that person having lived in the confines of a stark institution which, although he or she has long since left, remains within.

I'm not really part of any group or clique or gang because that's always been my nature.

If I'm pushed, I'd also have to admit I don't like people with allergies. They just annoy me. There seems to be something far too self-centred about it. 'No thanks, I'm allergic.' Why not just say 'No thanks'? I wasn't asking for your medical history, I was just passing around the nuts. Trying to be friendly, that's all.

I am quite a romantic person, really, and I should have put that into my music earlier, but I was probably denying it... I didn't want to be soft because I felt I had to be so hard to get people to believe in me.

I don't think punk ever really dies, because punk rock attitude can never die.

Part of the punk attitude was that you should project your music through your whole body... show your personality as much as possible.

I think love's exciting and happy, as well as being able to make you sad.

It doesn't matter about money; having it, not having it. Or having clothes, or not having them. You're still left alone with yourself in the end.

My dad was one of the reasons I got into rock and roll, because I was learning the ropes of his business, which was selling powertools, and I was looking for a way out from under his heel. I was like, 'Where's the fun? Where's the glamour?'

Big companies do not want to disrupt themselves. All they want to do is improve themselves. They see the blockchain as another IT project. It's going to save money; it's going improve a process here and there. It's not going to change their business.

I'm looking forward to seeing more ICO projects provide increased clarity about the performance metrics expectations they plan to exhibit during their future adult lives in addition to the assumptive utility of that token they are selling.