Quite honestly, I live in California in the off season. Going off to Green Bay is just like two different walks of life - I hunt, fish, practice with firearms. Back in California, it's spend time at the beach, go to the movies.

I loved Superman growing up. I saw a couple of those movies in the theater, and I watched 'Superman II' 8000 times.

You can figure out who you were by which movies you loved when.

One of my favorite movies is The Little Foxes.

I've played heavies for years and years and years. I was bald. I came to Hollywood. I did a play about junk. I was a pusher, so I played pushers for years and years and years. I did war movies and things like that.

Now I'm seen by more people in one episode than I was in 20 years of theatre and movies. It's gratifying to have an impact on 25 million people a night, but I can say goodbye to my lunch-pail life as a working actor. I'm scared I might be a celebrity.

'Superbad' and 'Remember the Titans' - two movies I can watch over and over again. I watch 'Superbad' whenever I need to laugh.

I think a big part of our attraction to sport movies are the stories contained within the sports.

I always say to my agents, you go through one of these big kind of movies, everyone makes money, but like, I said, 'I'm the one who's gotta go make it, and if I don't have my heart in it, and it's like a love affair, I'm not going to do a good job. Then, and I don't want to just get paid. I just, I don't want to do that.'

I'm interested in existential films: I love movies that console you in the same way that a person consoles a weeping child.

I do like the zombie movies quite a bit. I know there are purist zombie guys that don't like the running zombies, but I dig the infected thing. I think that's a scarier incorporation of an element into the genre.

I grew up loving films and making stupid movies with a good friend of mine, who now actually has a career in a really prominent special effects house, so he's still doing it. We just started messing around with a camera.

In all, I was in 16 movies, including 'The Bishop's Wife' with Cary Grant, Loretta Young and David Niven; I was in 'Rio Grande' with John Wayne, 'Albuquerque' with Randall Scott, 'Blue Skies' with Bing Crosby and 'Hans Christian Anderson' with Danny Kaye.

I wasn't one of those kids who dreamed of writing novels when I was 8 or 12. I wanted to be a film director. I wanted to make big action movies. I loved movies like 'Die Hard,' 'Predator,' 'Aliens,' 'Raiders of the Lost Ark.'

One of my favorite movies of all time is 'Fargo.'

Animation is very singular. Like, even the 'Toy Story' movies. People will go, 'Oh, gosh, you're so lucky, getting to play opposite Tom Hanks!' And it's, like, 'It may have appeared to be that, but we were never in the room together.'

Just because there are celebrities in a movie, it doesn't mean anything. I don't think The Ant Bully did all that well the first week at the box office. Compare the movies that have a lot of celebrities with the Jimmy Neutron movie, which had no celebrity voices and grossed almost one hundred million dollars.

I didn't really make up my mind to be an actor until I did 'The Hitcher' with Rutger Hauer. I was about 17 or 18 when I did that, by which point I'd probably done a dozen or more movies or TV things, but 'The Hitcher' was the experience that made me want to study and commit and learn how to do this for my life.

'Home Alone' was a movie, not an alibi.

Oh God, I'm going to get in trouble for saying this, but I grew up falling asleep in church because I was tired from watching horror movies late at night.

I don't storyboard. I guess it dates back to my days in live television, where there was no possibility of storyboarding and everything was shot right on the spot - on the air, as we say - at the moment we were transmitting. I prefer to be open to what the actors do, how they interact to the given situation.

I spend days on my Xperia logging on Facebook chatting with my friends and family at home; I love listening to Rihanna and Pink and watching movies. Basically, anything that makes me smile, but most of my fans will know that I am always smiling!

The end of a picture is always an end of a life.

We are the movies and the movies are us.

But then I go through long periods where I don't listen to things, usually when I'm working. In between the records and in between the writing I suck up books and music and movies and anything I can find.

I'm not a film buff. I don't watch a lot of movies.

Growing up I didn't watch movies.

I quit doing the movies because the wrestling was going so good and was so on fire during the '80s and '90s, but I was getting all these movie scripts.

I wanted to do another movie that could make us laugh and cry and feel good about the world. I wanted to do something else that could make us smile. This is a time when we need to smile more and Hollywood movies are supposed to do that for people in difficult times.

I don't really have a schedule of when I want to show my children my movies.

I was making a lot of 8mm home movies, since I was twelve, making little dramas and comedies with the neighborhood kids.

Because of how much movies cost, it's dangerous to be experimental on one film after the other. But we can experiment with television. We can do things that are fringe and bring ideas to the table that are offbeat and original.

Television has a different biorhythm than movies. I love the biorhythm of TV.

You can't intellectually purge yourself of who you are. Whatever that is, it's going to come out in the wash, the film wash. What you are is going to be relevant, if not to yourself, to the movies you make.

I feel I'm all over my movies. I know my movies are all over me.

I love history, so I do a lot of movies about history.

It is not my job to compare my movies. I don't like to compare my films with other movies because I don't really have that perspective. It is an intellectual exercise, but it doesn't intuitively come to me.

Bloated budgets are ruining Hollywood - these pictures are squeezing all the other types of movies out of Hollywood. It's disastrous.

The only reason anyone goes to Broadway is because they can't get work in the movies.

How do people relate to movies now, when they're on portable devices or streaming them? It's not as much about going to the movies. That experience has changed.

When we talk about how movies used to be made, it was over 100 years of film, literal, physical film, with emulsion, that we would expose to light and we would get pictures.

I like mainstream movies that are completely off the wall.

I feel I want to grow as an actress and be better. I want to progress as a singer and songwriter, and produce movies and everything. So there'll be no time when I feel I've done it all.

When my mother got home from work, she would take me to the movies. It was her way of getting out, and she would take me with her. I'd go home and act all the parts. It had a tremendous influence on my becoming an actor.

The folks who read my books are so passionate about each one of them that the people making my movies are more afraid of my readership than they are of me.

So many of our enormous emotional crises are lived through the media. They're lived through movies; they're lived through what we watch on television - they're not actual events in our life.

You know you've been around when they start to remake your own movies when you're still alive.

The two Hindi movies that I did were not marketed well, and so not many people came to watch the film, hence the audience doesn't know much about me. I am a newcomer, and I cannot sell a film on my own. There has to be a backing in terms of producers.

None of my costume designers have ever been nominated for an Oscar 'cause I don't do period movies that have ball scenes with a hundred extras in them.

The nature of the movies is different than it was five years ago, and they're all driven by the possibilities of CGI, which means you can make anything happen on screen that you can possibly desire.