My dad was the only son from his entire family to come to America, and I was his only son. We had come to the States to achieve security and success for our family. Rules were simple: No fun, no friends, no girls. Go to school, come home, and study.

My biggest inspiration is black America and what they've done in the arts. I have always felt like an outsider in America, and what black Americans have done to add their chapter to this book called the American dream, and to be so unapologetic and true, and have added so much to art and culture in the world.

What I love about comedy is that we're this group of weirdos, and the only language that matters is, 'Are you funny?' And it really is this oddly cool American idea where comedy's the marketplace of ideas. May the best idea win.

I call my style Classic Americana Swag. I do my vibe, and I'll throw in a cool sneaker here or there, a pair of Js.

I think the best comedians have that bravery and courage to say, 'This is what it is. This is unfair; that's not cool.'

'Vice News' is cool because they'll just send your local barista to go talk to the head of ISIS.

I had a huge Indian wedding, and I did it for my wife, and I did it for my white friends.

The day-to-day microaggressions that we all face, yeah, you have to let some stuff slide, or you go, 'I gotta keep moving; there's bigger fish to fry.' It's something that I still deal with. But I've tried to have the audacity of equality and to follow my heart in those moments where I feel like something is wrong.

Funny and sad are two sides of the same coin. I think that most comedians are able to tap into deep subject matter.

One thing I found very interesting about comedians around the world was their knowledge of stuff outside of their own culture and comfort zone. That's not very common in the States. We produce our own soft power, which is pop culture, but we rarely try to absorb and learn information from other cultures and countries.

Donald Trump is not a 71-year-old white man. He is an Indian uncle. He wears suits that don't fit; he can't speak English properly. He works with his idiotic sons; he hates women but loves his daughter. He makes up words when he gets angry. He is an Indian uncle.

If it's just me on stage telling stories for, like, an hour, that's great. That's fine. But like a sandcastle on the beach, it gets washed away at night. It's so much more powerful if we can all share our narratives and doorstep moments and make us feel a little less alone. I'm just trying to use social media and new media as a way to capture that.

To show that a comedian on stage in India talking about sanitation or in South Africa talking about HIV and AIDS awareness, if you follow the joke into their lives, you can see that, like, oh, these things aren't just contrived in joke books. This is real life. I think the best comedians have that bravery and courage to say, Oh, this is what it is.

I've learned to start from a really sound argument, boil down the essence of what you're trying to say, then build your humor around that, rather than starting with, 'This sounds funny,' and going from there.

My dad's from that generation like a lot of immigrants where he feels like if you come to this country, you pay this thing like the American dream tax: like you're going to endure some racism, and if it doesn't cost you your life, well hey, you lucked out. Pay it; there you go, Uncle Sam. I was born here, so I actually had the audacity of equality.