Comedy is the one absolutely self-aware art form. Actually, hip-hop's another one, I suppose. Because in your songs you're talking about how good a hip-hop artist you are. It's like a painter painting a panting of himself painting a painting.

I think it would collapse my heart if I was super famous. I don't have the nerve for it, I'm too anxious. I don't know how you're not obsessed with how people perceive you, because they're real people, you know? You can convince yourself that they don't really know you, and that's true, but how can it not hurt your feelings?

Being famous is complete luck, and that's something you can't bank on.

I remember being superyoung, like nine or ten years old, and thinking, 'Man, I wonder what famous people eat for breakfast. They must have some special kind of cereal!' My mind was so warped by the idea of fame.

The problem for us, as viewers, is that we want famous people who are passionate about the things they're famous for, because that makes them worthy of the attention. But I think many of those famous people just want to be famous.

I feel lucky, where I'm not 'famous' famous. I'm not someone that everyone kind of knows for no reason. If people know who I am, they like me because if they didn't like me, they forgot about me.

I was definitely not the kid that just wanted to be famous for no reason whatsoever and then happened to find comedy. Fame and all that stuff have always been slightly terrifying to me, and it makes me very anxious.

I have a show on MTV called 'Zach Stone Is Gonna Be Famous.' I think that's a secret to a vast majority of America.

I've come across people referring to themselves as 'Vine famous.' Some of them started out by putting up Vines just for fun, then all of a sudden they get a bunch of fans, and a week later their Vines are totally different. They become obsessed with how their videos will be perceived.

You can give poor people this royal wedding to watch and make them feel good about themselves, or you can give them something useful like, I don't know... a toaster.

I know I'm probably digging for fresh fruit in the garbage, and as much as anyone, my attitude is, if stuff's sincere, it's gooey and boring and uninteresting. But it's no way to live.

I write about what I know: teenage dating, overly charged sexuality, all the things that make you uncomfortable.

I would say don't take advice from people like me who have gotten very lucky. We're very biased. You know, like Taylor Swift telling you to follow your dreams is like a lottery winner telling you, 'Liquidize your assets; buy Powerball tickets - it works!'

In high school, I worked eight hours a day just so I could get into the college of my dreams and say that I got in - and I never went.

The strength of comedy is I don't have to answer to anybody, but sometimes you want to learn from other people and see your ideas strengthen by other people.

Even in movies like 'Superbad,' they're all lovable kids.

There's only one rule in stand-up, which is that you have to be funny. Yet 99 per cent of comics look and talk exactly the same.

I became good friends with Jack Whitehall. I think he's great, such a great dude, and really funny.

I'm clearly doing what I want. I hope kids can see my act and feel like they can be slightly more comfortable in their own skin because I'm being so ridiculously comfortable in mine. I'm not that comfortable in my skin the moment I walk offstage. But I try to project that while I'm on it.