I think the path is different for everybody. Go after the doors that are open to you. That has always been my motto getting into the music business. Do the things that seem to be good opportunities and work hard at it. Try to make good decisions and be nice. Hopefully all of that will pay off at some point.

I don't feel like songs should be hoarded. I don't feel like one's tainted if somebody else does it. That's the mark of artistry - take a song that's maybe even a really popular song and do it your own way. I think that's cool.

We have that storytelling history in country and bluegrass and old time and folk music, blues - all those things that combine to make up the genre. It was probably storytelling before it was songwriting, as far as country music is concerned. It's fun to be a part of that and tip the hat to that. You know, and keep that tradition alive.

Anytime that another artist or a critic that is well-respected says something nice about you, you're always thankful and hope that you can live up to that.

I always tell people, 'The music's free. I get paid to travel.'

I didn't know they would pay you money to sit in a room and write songs for other people. I always thought that George Strait was singing a song, he made it up, and that was the end of it. But the instant I found that out, that that could be a job, I thought, 'That's the job for me. I gotta figure out how to do that.'

I'm always just looking to get back to the joy of playing music, and keeping it simple, as much as I can.

Whether you like modern incarnations of what country radio hits are, or you like what I'm doing, or you like something really off in folk, poetry Americana land, it's all just music, man. If you like one of them, great - go buy it.