The Fashion Fund celebrates the real passion that underlies the fashion business, not the frothy world of glamour and celebrity that so often surrounds it.

To be famous these days with no grounding and no substance is not especially difficult. I urge you instead to seek to be relevant, to be agile and educated.

Mental health is an area where people are embarrassed. They don't want to talk about it because somehow they feel they're a failure as a parent or, you know, they're embarrassed for their child or they want to protect their child, lots of very good reasons, but mental health, I feel, is something that you have to talk about.

Certainly we have made mistakes, but you try and learn from your mistakes. And the most important thing is always to move forward and, I think, empower people to do their best, and to lead. I think people respect that and work better under those circumstances.

There's barely a strand of the modern media that the Kardashian-Wests haven't been able to master, and for good reason: Kanye is an amazing performer and cultural provocateur, while Kim, through her strength of character, has created a place for herself in the glare of the world's spotlight, and it takes real guts to do that.

Fashion is a reflection of the time.

I like having young assistants in my office; they have energy, and I spend time with them to make sure they understand what we're doing. By investing in them, I'm investing in the magazine. All over 'Vogue,' 'Teen Vogue,' and 'Men's Vogue,' there are people who have been through not only my office but also many other offices at 'Vogue.'

I look for strong people. I don't like people who'll say yes to everything I might bring up. I want people who can argue and disagree and have a point of view that's reflected in the magazine. My dad believed in the cult of personality. He brought great writers and columnists to 'The Standard.'

Western design houses have been exploring China in terms of investment for well over a decade.