The cool thing about my show and me is that I'm a writer, and I'm a writer first if I don't have music.

I had a crazy life for a teenager. I lived in New Jersey, but I'd go to Vermont for three weeks, join a commune, take pictures with the guy I was dating, come back home, and post photos.

I learned how quickly I could go from having never met someone to having the world think I'm dating them.

I'm a fixer, unfortunately. I'm like, 'Oh, I can fix you.' But it's not just guys I'm dating anymore. It's this entire legion of young girls who tell me they need me to maintain any sort of sanity or peace.

You can expect nothing in being a musician, and you have to be just very thankful every time it goes positively for you.

My mom is awesome. She's really young. My mom is 40, and she raised me listening to Nirvana and Courtney Love and Coldplay, Gin Blossoms, The Cranberries, and stuff. Like, my early, early memories are of being a little kid running around in floral skirts and Doc Martens when I was, like, three.

My mom has every issue of 'Billboard' I've ever been in.

A guitar can be so human, so sorrowful, so angry, and I wanted to figure out how to achieve that vibe without having to actually use guitars, because 'Badlands' is a very futuristic record - and making it that in an era of futuristic music is a really hard thing to do!

It's hard because I think I fall into this in-between space where there's something that's innately feminine about me, and there's also something that's kind of androgynous. I carry myself somewhere in between, and I think my music lends itself to that as well.