My first impression of Beverly Hills was that it had a landscape of small houses built by famous architects, so I didn't want to make a big block or sculpture here; I wanted to make a community rooted to the place.

Since the Industrial Revolution, we tend to use technology to show our power: you know, we build high-rises, towers, big buildings that become symbols of power and capitalism. We don't talk about how emotions and nature can be connected.

A pool at the edge of the ocean is the simplest geometry, yet you feel connected to the sea. In a forest with the mountains in the background, you also feel the connection to nature, yet it's a very complex geometry. I think architecture is about controlling these feelings.