My father was famous for his photographic memory. He was in the OSS. They trained him to be captured on purpose and to read upside down and backwards and commit to memory every document in Germany he saw as he was being interrogated - every schedule on every wall. So, that photographic memory somehow made its way to me when I was young.

In American military cemeteries all over the world, seemingly endless rows of whitened grave markers stand largely unvisited and in silence. The gardeners tend the lawns, one section at a time. Even at the famous sites, tourism is inconstant.

My father ran London Films. He made films like 'The Red Shoes,' 'The Third Man.' And he had had a long career in the film business, which was bifurcated with a career in intelligence. He had to deal with gangsters, and sometimes he would take me with him. Also, I went to school with their children.

Well-timed silence is the most commanding expression.

Of course, everyone in the New World is an immigrant or a descendant of immigrants, and immigrants have built America and continue to do so. Legal or illegal, they are almost universally good people who work to better their lot and that of their children.

Not a single illegal immigrant should or need enter the United States, not one. Contrary to the common wisdom, the borders are easy to seal, and controlling entry is hardly totalitarian.

The craftless anarchy of the Beat poets on the one hand, and the extreme control of Henry James on the other, suggest that for most human beings, just as both freedom and discipline are necessary in life, serendipity and design must coexist in a work to make it readable.