I think the movie business and film crews are a little bit like the circus, in that we travel around like a pack and we're a big family for a finite period of time. We roll into someplace, cause a bunch of damage, and then roll out.

I always want to try to make films feel timeless, because one of my biggest pet peeves is that there's a movie you love, and then you revisit it twenty years later, you show your kid or something, and it's like, 'Oh my God!' with hairstyles and clothing and all that kind of stuff.