The word 'religion' is only a label. What lies behind that, the most important thing of all, is the word 'faith'. You either have faith, or you don't have faith, or you have degrees of faith - and if you have degrees of faith, then you become agnostic. You're kind of in-between, or you're on the fence.

In science fiction, we're always searching for new frontiers. We're drawn to the unknown.

I'm used to very strong women because my mother was particularly strong, and my father was away all the time. My mother was a big part of bringing up three boys, so I was fully versed in the strength of a powerful woman, and accepted that as the status quo.

A hit for me is if I enjoy the movie, if I personally enjoy the movie.

One of the problems with science fiction, which is probably one of the reasons why I haven't done one for many, many years, is the fact that everything is used up. Every type of spacesuit is used up, every type of spacecraft is vaguely familiar, the corridors are similar, and the planets are similar.

When you're in the editing room, the dangerous thing is that it becomes like telling a joke again and again and again. Eventually, the joke starts to not be funny. So you have to be careful that you're not throwing the baby out with the bath water.

Sometimes I find I'm wearing a divided, split brain in terms of drama and humor.

Taking a comic strip character is very hard to write. Because comics are meant to work in one page, to work in frames with minimalistic dialogue. And a lot of it is left to the imagination of the reader. To do that in film, you've got to be a little more explanatory. And that requires a good screenplay and good dialogue.

Life isn't black and white. It's a million gray areas, don't you find?